OTO Boum Analog Compressor, Distortion and Filter - YouTube The ratio ranges from 1:1 (no compression) to inf. The fixed values give a ‘chopping’ effect — anything subtler isn’t possible. Generate mostly a second harmonic distortion. OTO Boum Analog Compressor, Distortion and Filter - Duration: 2:34. Its range is enormous and it can handle both subtle warming and balls-to-the-wall shredding with equal aplomb. OTO Machines BOUMは、以下のような独特、かつオリジナルの回路設計を採用しています。 ● INPUT GAIN : 18dBまでのゲインブーストをコントロールできます。� HI CUT FILTER : soften the high frequencies with this smooth and musical 12 db / octave low pass filter. The main stereo inputs and outputs are located at the rear of the unit on unbalanced quarter-inch Neutrik connectors, accompanied by a mono side‑chain input on a 3.5mm jack, a MIDI input and a 15V DC power socket. The construction quality is exemplary. BOUM is the perfect tool when you need to add warmth, thickness, and character to your sounds, but also apply severe … The key is understanding each element of the design and exploring its possibilities in isolation. With a maximum 55dB boost available you can achieve everything from barely perceptible harmonic enhancement to all-out square‑wave destruction.

Boum’s compressor is perhaps unfairly described in the manual as a ‘one‑knob compressor’, but that’s not strictly true, for reasons I’ll come to in a moment. The Boum completes an unholy trio of ruggedly styled OTO products, the Bam, Bim and Boum. • Input Gain up to +18 dB All this plus good looks could make the competition jealous. After this centre position the compressor goes into what the manual calls ‘over compression’. If the concept of a ‘one‑knob compressor’ concerns you, consider that you can control the gain of the input signal via the In Gain control, which gives you effective control over threshold. It can be a chameleon in the studio or one of those boxes that you leave on a single setting because it does that thing so well. This causes a kind of dynamic inversion where anything above the threshold is actually reduced in volume so it lands under the threshold. The signal flow is simple. The controls appear in order of signal flow, except, curiously, for the gate threshold which ought to be placed after the input gain and before the compressor controls, not at the end. • Lo Cut Filter : Flat, 75 Hz, 150 Hz, 300 Hz • One knob compressor (Ratio 1:1 to 1: -1) with attack & release parameters After that it goes into limiting and beyond into dynamic reversal. Perfect Circuit 15,194 views 2:34 Elektron Analog Heat vs Sherman FB2 quick comparison test - Duration: 2:30. I found a nice home for Boum on a pair of my mixer’s group inserts, with a spare auxiliary send connected to the side‑chain input. – FUZZ : symmetrical hard clipping amplifier, similar to an overdriven mixer preamp. • Rugged steel enclosure BOUM is a full analog stereo warming unit, combining an easy-to-use compressor, a versatile distortion generator and a smooth low-pass filter. • Neutrik® jack connectors The Boum is the latest industrial‑styled desktop effects unit from the French company that brought you the Biscuit. Positioned after the distortion circuit, this is particularly helpful in calming the more pugnacious Fuzz and Square distortion modes, which can create a lot of harmonics in the higher frequencies. BOUM is a full analog stereo warming unit, combining an easy-to-use compressor, a versatile distortion generator and a smooth low-pass filter.

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